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I was honored to be asked to paint a million irises for the 2016 Houston Garden Club's Bulb and Plant Mart event, which runs October 13...
F5: Painting the Psychological Impact of Extreme Weather
For my thesis (F5: Painting the Psychological Impact of Extreme Weather) I employ the depiction of extreme weather events such as tornados, hurricanes, and dust storms in a narrative format to move the viewer to the unsettling space that lies between basic instinct and self-awareness. Why and how do we react to such severe and life-threatening storms? These paintings work to define and contain these psychological states within a single moment and shed light on the complexity of human motives and the way we relate to the world around us.
Employing painting techniques such as abstraction, collage, and experimental surface treatments, I explore new possibilities within the narrative tradition. I combine images from sources such as meteorological surveys, psychology textbooks, scientific journals and websites, and personal photographs to create highly textured paintings deeply layered with meaning. By exploiting the unique properties of oils, acrylics, and charcoals, and by embedding within the paint natural materials such as pine needles, rocks, twigs, sand, and moss, and incorporating man-made common household construction materials such as spackle and bead-board panelling, the forms within the compositions and the surface of the paintings become interdependent in the translation of the message.
If you are interested in additional information about this body of work or my thesis, please don't hesitate to email me!
FEEL FREE TO CONTACT ME
If you have any questions about my paintings or prints, please feel free to contact me at CORYJAX@GMAIL.COM.
The Billboard Series
My billboard series is based on my ongoing interest in urban decay. I am fascinated by billboards that have been stripped of recent advertising only to reveal subsequent layers from days gone by. In a sense, these patchwork signs seem to me a sort of roadside archeology. From a technical aspect, I am also inspired by the challenge of representing torn paper, rusted metal, and curling, weathered edges frequently seen on these signs.
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